Martin Scorsese is the true king of cinema. While most filmmakers are lucky to have just one film that stands the test of time, Scorsese has had hit after hit across five decades. Saying “the best Martin Scorsese films” is like saying “the best chili cheese fries” because even when they’re not the greatest, they’re still pretty darn good. All Martin Scorsese movies have been accumulated here and ranked. While there are several that could easily take the top spot, there can only be one winner. Join us now for StudioBinder’s ranking of the best Scorsese movies ever.
NOTE: For this list, we’re only looking at narrative features he’s directed.… Keep reading
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We’ve talked quite a bit about the amount of thought that goes into Costume Design.… Keep reading
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Strong supporting actress roles have led to some of cinema’s greatest performances.… Keep reading
With over 40 years of experience working as a feature cinematographer, Robert Richardson has lensed movies for director’s like Oliver Stone, Martin Scorsese and Quentin Tarantino. He’s worked on everything from 65mm film to stereoscopic 3D and has won the Academy Award for cinematography three times (for his work on JFK, The Aviator and Hugo)! It’s definitely worthwhile paying attention to his work, here’s four lessons that you can learn from the Robert Richardson style of cinematography.
Continue reading Robert Richardson Style — Tarantino, Scorsese’s DP Techniques
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Have you ever watched an old black and white movie, maybe starring Humphrey Bogart or Katherine Hepburn, and thought some of it was a bit tame? Even when the movies are great, they seem to play it safe? Most of this is a direct result of what is popularly known as the Hays Code, which most movies had to abide by for a period of time. But what is the Hays Code, and is there more to it than just a few rules and limits?
Continue reading What is the Hays Code — Hollywood Production Code Explained
How does one create a great tracking shot in film? What strategies are available to keep the shot interesting for the audience without becoming too chaotic? With this example from Martin Scorsese’s excellent film The Wolf of Wall Street, we’ll show you how a master filmmaker uses eye lines, blocking, and framing to create a riveting long take and avoid unnecessary cuts.Make sure to read through to the end for more examples of long takes in television and film!
Continue reading The Wolf of Wall Street Long Take — Director’s Playbook
