Marcello Clerici (Jean-Louis Trintignant) is a member of the secret police in Mussolini’s Fascist Italy. He and his new bride, Giulia (Stefania Sandrelli), travel to Paris for their honeymoon, where Marcello also plans to assassinate his former college professor Luca Quadri (Enzo Tarascio), an outspoken anti-Fascist living in exile. But when Marcello meets the professor’s young wife, Anna (Dominique Sanda), both his romantic and his political loyalties are tested.
If you’re an aspiring filmmaker, you’ve probably heard the term aspect ratio quite often. Before you shoot even a single frame of your film, you have to decide what aspect ratio would be best. This decision will affect the staging and framing of every single shot going forward. Why? What is aspect ratio, and why does it matter so much?
Let’s find out.Continue reading What is Aspect Ratio? A Formula for Framing Success
When making a movie, it can be a struggle to decide between the two most common widescreen aspect ratios: 1.85:1 and 2.35:1. For anyone who has ever felt this struggle, there is an ideal middle ground. We’re talking about the 2:1 aspect ratio which has seen a resurgence in the last decade. In this article, we’ll go over the 2:1 aspect ratio, where it came from, and how it’s been used in movies and TV so that you too can take advantage of this unique frame.
Disclaimer: Since 2.35 is often used interchangeably with 2.39 and 2.4, we will do the same in this article, depending on the context.… Keep reading
