Extreme Wide Shot

home  →  Shot Size  →  Extreme Wide ShotSearch for:Search Button— The —Extreme Wide ShotEverything you need to know about the extreme wide shot in film, including the definition, the best examples, and how to use it.VideoExamplesArticleExtreme Wide Shot DefinitionWhat is an extreme long shot?An extreme long shot (or also commonly called an extreme wide shot) frames the subject as a very small portion of the frame, engulfed on all sides by the environment they're in. Extreme long shots and extreme wide shots give a sense of scale, usually to emphasize how small a character is compared to their surroundings.For more, read our…

Wide Shot

home  →  Shot Size  →  Wide ShotSearch for:Search Button— The —Wide ShotEverything you need to know about the wide shot in film, including the definition, the best examples, and how to use it.VideoExamplesArticleWide Shot DefinitionWhat is a wide shot (aka long shot)?A wide shot (also known as a long shot) is when the subject's entire body is captured in the shot, with a good deal of background visible around them on all sides. It is one of the most common shot sizes, particularly useful in moments when a comparison or a relationship is desired between the character and their surroundings.For more, read…

Full Shot

home  →  Shot Size  →  Full ShotSearch for:Search Button— The —Full ShotEverything you need to know about the full shot in film, including the definition, the best examples, and how to use it.VideoExamplesArticleFull Shot DefinitionWhat is a full shot?A full shot is when the camera capture the entirety of the subject's body, from head to toe. This is sometimes also a wide shot and while there is some overlap, they have their own characteristics. For more, read our full breakdown of the full shot, including examples that illustrate the shot size's various functions.Before we dive in the full shot and everything it can…

Medium Full Shot

home  →  Shot Size  →  Medium Full ShotSearch for:Search Button— The —Medium Full ShotEverything you need to know about the medium full shot in film, including the definition, the best examples, and how to use it.VideoExamplesArticleMedium Full Shot DefinitionWhat is a medium full shot?A medium full shot is when the camera frames the subject from the knees up. It splits the difference between a full shot (head to toe) and a medium shot (from the waist up). It's also very similar to the "cowboy shot," which is a slightly tighter framing that ends just below the belt buckle — named for those…

Medium Shot

home  →  Shot Size  →  Medium ShotSearch for:Search Button— The —Medium ShotEverything you need to know about the medium shot in film, including the definition, the best examples, and how to use it.VideoExamplesArticleMedium Shot DefinitionWhat is a medium shot in film?A medium shot frames the subject from the top of the head down to the waist. It is one of the most commonly used shots in film because it is considered a more "neutral" shot. In other words, it is almost a default shot for characters that can work in most scenes. Wider and longer shots are too distant and detached, and…

Close Up Shot

home  →  Shot Size  →  Close Up ShotSearch for:Search Button— The —Close Up ShotEverything you need to know about the close up shot in film, including the definition, the best examples, and how to use them.VideoExamplesArticleClose up shot DefinitionWhat is a close up shot in film?A close up shot is when the camera frames the subject's full face and head. The bottom of the frame will near the bottom of the neck with the top of the frame just above the head. As we will see, there is a specific difference between an extreme close up, a close up, and a medium…

Medium Close Up Shot

home  →  Shot Size  →  Medium Close Up ShotSearch for:Search Button— The —Medium Close UpEverything you need to know about the medium close up shot in film, including the definition, the best examples, and how to use it.VideoExamplesArticleMedium Close Up DefinitionWhat is a medium close up shot?A medium close up shot is when the camera frames the subject from the chest up to above the head. It is tighter than a medium shot but not quite as tight as a close up. This middle ground becomes a happy medium when you want that bit of nuance. The medium close up shot is…

Extreme Close Up Shot

home  →  Shot Size  →  Extreme Close Up ShotSearch for:Search Button— The —Extreme Close Up ShotEverything you need to know about the extreme close up shot in film, including the definition, the best examples, and how to use them.VideoExamplesArticleExtreme Close Up DefinitionWhat is an extreme close up shot?An extreme close up shot focuses on a specific area of a character's body/face. Whereas a close up will capture the entire head with some room to spare, an extreme close up shot focuses on a specific area. For example, a shot that only shares a character's eyes or mouth. This type of framing can…

What is a Foil Character — Definition, Examples in Lit. & Film

What is a foil character? Is it a character who wears tin-foil on their head? Wait no, that’s Joaquin Phoenix in Signs. Foil characters exist to expose something in the main character of a story. You may have heard the term in reference to the works of William Shakespeare, but he’s not the only writer who uses them. We’re going to show you some examples of foil characters from literature, film, and television. By the end, you’ll know how to recognize foils from a mile away and perhaps hatch an idea for your own foil character.Continue reading What is a…

Is ‘Joker’ Dangerous? The Joker Movie Controversy Explained

  Joker Script Download Best Joker Actors Joker Controversy Joker Movie Review Todd Phillips’ Joker (2019) sparked considerable controversy leading up to its release. Joker deals with many thematically disturbing elements — mental health, political violence, and an “incel”-like protagonist. Despite these concerns surrounding the Joker movie controversy, the movie did not inspire violence. Quite the opposite actually. So now, looking back, perhaps we can analyze the Joker movie controversy to see if there are any lessons for filmmakers. Taking a look at Phillips’ and Scott Silver’s script, what can we as screenwriters learn about creating pathos for the psychopaths…